Wednesday, September 30, 2009

A PHOTOGRAPH CAN CONVEY A STORY

A photograph can convey emotion, mood, ideas and messages, all important aspects of story telling...Stories come in all shapes and sizes and u can settle upon the form that suits ur style best....U can make singular, standalone pictures that capture the essence of an event or an experience.

2.Single image stories are powerful not only because of all the elements excluded by them...Unseen elements of a photograph can evoke a lot of thoughts as well. Avoid trying to put every single element of a story in every picture that u make....Instead try shooting a series, each photograph having a few elements encompassed within it.

Sunday, September 27, 2009

RAINY SEASON SHOOT


THIS IS A DIFFERENT ENJOYMENT from ur round the year shooting schedule. U are afraid of lenses, cameras being wet, lenses catch fungus...and lots of worries.

2. Leave them aside and find out waterfalls, flowing rivers, lakes, foliage, grass are great subject to shoot in rain...Vegetation comes alive with the rains and new leaves and shoots will have beautiful green colour.

3. The even diffused lighting from the cloudy sky only helps to enhance this. Rain also has the ability to wash dirt and dust away so u can capture the original colours of the subject, be it a tree or a building.

4. Use a polarising filter to remove any glare coming off rocks or leaves, unless u intentionally want to retain the reflections....Avoid including the sky, since an overcast sky will appear white or almost white in ur final picture without lending any depth (can do some pp work on it later on, if shot).

5. Lots of insects growup in the rains which make a good subject for macro.

Wednesday, September 16, 2009

WATER PHOTOGRAPHY


Water is perhaps one of the most commonly photographed subjects -from waterfalls to ripples, waves, reflections, rivers, lakes, sea and so much more.

2. U can be extremely creative to exposures to bring out different images--use short exposures to freeze water in motion- unexpected shapes and droplets will reveal themselves...

3. In daylight add a Neutral Density filter to increase exposure times and give moving water a glossy marble effect....At dusk or night, u can achieve similar effects without the filter....

4. Try different shutter speeds to control the amount of effect u will achieve....U CAN CHOOSE COMPOSITIONS AND VANTAGE POINTS THAT WILL MAKE IT look like a water is coming right out of the image....Don't ignore rivers and falls in winter, when freezing temperatures turn swirling flows into excellent frozen shapes......The techniques are not difficult, but need some practise before venturing into thr job...

Saturday, September 5, 2009

COMPOSING A PHOTOGRAPH PICTORIALLY


Every photographer's desire is to become a popular and esteemed cameraperson in the society....But there are some exercises which u have to observe to keep fit ur photograph to that extent....pl go thru below:

1. one main center of interest shd be there and it shd be placed in a suitable and strong position.(see below).

2. the rest of the things in the photograph shd be in harmony with the main subject and not confusing.

3. there shd not be too many things to compete with each other and distract the attention from the main subject.

4. background and foreground shd be simple and not disturbing.

5. leading lines shd carry the eye to the main subject.

6. tonal gradation shd be well balanced and in proper order.

7. never place the main subject right in the centre. Best wud be to use rule of thirds i.e. divide the picture area, vertically and horizontally into three parts. This way u get four points of intersection., and any of these points are good for the placement of ur main subject.

8. in landscape outdoors,always keep the horizon line either below or above the centre of the picture and never in the middle.

9. if the picture has action, i.e. moving figures in it, than allow more space in front, towards the direction of the movement.

10. similarly in portraiture, leave more space towards the side in which the model is looking.

11. always see that the horizon line is parellel to the base of the picture. Never tilt it to any one side.

12. however, there are times for the subject to be strong in position, that u wish to avoid some of the rules listed above, u are free to do it in the interest of the picture..........gshroti@gmail.com